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THE LEFT WING IS CRAZY! THE RIGHT WING SCARES THE SHIT OUT OF ME!

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"BioPanentheism holds that the 'Divine' does not merely pervade the Universe abstractly... but "Experiences Reality" directly and vicariously through the emergence of complex "Biological Consciousness" making 'Life Itself' the Medium of "God’s Awareness!"

BioPanentheism states that the Divine Spark, and Biological Life are distinct but interdependent... with the "Divine Experiencing Reality Vicariously through Conscious Living Beings!" (Sentience is about experiencing... while Sapience is about understanding and reflecting on that experience!)


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Monday, 12 January 2026

The British Lens!

John Cleese, the eminent British comedian, actor and Monty Python co‑creator, has recently drawn attention with a wry commentary on the intersection of creativity and emerging technology.
In his remarks about the entertainment industry’s growing interest in employing artificial intelligence to substitute for human writers and actors, Cleese underscored the fundamental limitations of such an approach.
He observed that while AI might be capable of mimicking the superficial mechanics of performance or scripting, it cannot replicate the depth of insight, emotional nuance or intuitive creativity that human practitioners bring to the craft, qualities that he implies are essential to storytelling.
Cleese’s humorous critique questions the industry’s enthusiasm for technological shortcuts and serves as a reminder that art remains a profoundly human endeavour.
In a typically satirical twist, Cleese also suggested that if the pursuit of “efficiency” were truly the priority, studios might find more to gain by rethinking the role of executives rather than targeting writers or actors with automation.

In his view, it is the decision‑makers rather than the creators themselves who often exert disproportionate influence over production outcomes, without contributing genuine creative talent.

This quip aligns with broader industry critiques that point to a tension between commercial priorities and artistic integrity in contemporary filmmaking and television.

Cleese’s commentary is consistent with his long‑standing reputation not only as a performer but as a perceptive observer of cultural and institutional trends.

Beyond the specific issue of AI, he has frequently criticized bureaucratic approaches within the British television landscape, arguing that committees and executives often fail to nurture the kind of bold, original comedy that characterized his earlier work.

Such views reflect his broader belief that creativity cannot be reduced to algorithmic efficiency or managerial oversight without impoverishing the art form itself.

In articulating these views with characteristic wit, Cleese champions the irreplaceable value of human imagination and emotional intelligence.

His comments invite audiences and industry professionals alike to reflect on what constitutes true artistic value, reminding us that while technology can assist in many areas, it should augment rather than displace the human spark that drives compelling entertainment!



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